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Backstage Photos From Led Zeppelin Reunion Gig
Pictures of celebrities backstage at the Ahmet Tribute Gig:
Tags: Photos
The Living Room Gig
What a night at The Embassy in London last night! This was what Delirious? have described as their first ‘Living Room’ gig. An exclusive, intimate and informal evening with the band. Just 100 fans invited (although nearer to 160 people once you add on the guests, industry and media) at a very up-market London club. Leaving the tube at Green Park, I walked past the Ritz and arrived at the Embassy. From the street it doesn’t look much. A door, a restaurant style shop front, and a handful of people already queueing up. Unsure where to go or how to get in, I loitered until the authoritative figure of Mr Ian Cattle appeared at the door. He let me in, directed me to the lady with the passes and pointed me down a narrow flight of stairs.
On the below-ground-level floor I stepped off the stairs into a bar area, complete with plush leather sofas, tables and at one end a dance floor. Through the darkness I could make out a few people milling around and the sound of instruments being warmed up. I walked the short distance from the bottom of the stairs, to the far end of the bar where the dance floor was located, and realised with some surprise just how small this venue really was. The dance floor didn’t look nearly big enough to house 100 fans, and the ’stage’ (if you can call it that) nestled into the corner was already crammed full of equipment, instruments and two figures in the shadows who I identified as Stu and Jon.
After a brief chat with Jon, I watched as the whole band squeezed onto stage to sound check. Somehow they’d managed to fit a few lights into the room and the occasional spot light shone down on the band to reveal their glistening instruments. Stood, side by side, the guitars of Stu, Martin and Jon almost collided as they shared the small stage.
Sound checks are often not as interesting as they sound. Usually, as was the case here to start with, there is nothing but the sound of drums being banged, guitar notes being played, all incoherently played, individually rather than as a group. This isn’t me being rude about how Delirious? play, it’s just the nature of setting up, tuning up, warming up and checking everything works and sounds right. Eventually they played a few songs in unison, and it was then that I noticed things sounded wrong. Although I could hear the drums, hear the sound of Jon’s bass through his rig and Stu’s guitars through his amps, I couldn’t hear Martin’s voice. His mouth appeared to be moving, so perhaps he was saving his voice for the concert and just singing gently to himself.
I started chatting to a few familiar faces who were also standing around waiting and watching. Half of the Furious? Records office team were there so I chatted with Paul (merch), Mark (design), Clive (office manager) and Chris (web). Plus others such as Jamie (friend), Brett (very tall), Tim and Trev (crew). Through these conversations I discovered the reason for the lack of sound. No PA. Hmm. Turns out that the band had intended to use the in-house sound system, only to discover on arrival that it wasn’t up to their high standards. Solution? Send a man in a van on a frantic last minute dash across London in rush hour traffic to Romford to collect a ‘proper’ sound system. It was now 7pm, 15 minutes after the doors were due to have been opened to the ticket holding fans, and still the new PA hadn’t arrived.
As the band continued their somewhat muted sound check, I took the opportunity to take as many photos as possible, unsure how easy it would be to get good pics during the gig itself since everyone was going to be very cramped. (All of the photos in this post are from sound check) With the time slipping away several of the band members went out onto the street to try and apologise to the waiting fans for the lengthy delay. Eventually, at 7:30pm, a flurry of activity erupted as a series of large black boxes (aka the PA) were carried down the stairs and wheeled in. They were frantically stacked either side of the stage, plugged in and the band returned to the stage for a brief final sound check.
By 7:45pm the doors were open and the fans started to drift in, collecting a rather nice free CD (in paper back with Delirious-style receipt) on their way. The dance floor quickly disappeared and shortly after 8:30pm Delirious? squeezed their way through the crowd, onto stage and started their 10-song set. It was over all too soon, but unlike your average gig, the band didn’t disappear from sight, they mingled, chatted and gave fans a superb opportunity to meet and greet the band.
The Christmas Show 2007
With my usual imperfect timing I arrived at the restaurant in Shepherds Bush just as Jon was leaving. No matter, I walked with him to The Empire, passed the already lengthy queue of people standing outside in the freezing weather and in through the stage door. Jon waved his pass and the security person’s eyes came to rest on me. “Pass?” she demanded. “It’s ok, he’s with me” tried Jon. Not good enough. “Name?” she demanded again. A lady of few words, yet authoritative enough to show you that no arguing would be accepted. With a bit of help from production staffer Tim the magical AAA laminate came into my possession, allowing me access to all of those mysterious doors that are usually shut firmly in your face. Once in the dressing room Jon and I set about some pressing tasks, namely facebook scrabulous. Having missed dinner, Jon graciously raided the dressing room supplies for me. He presented me with two fun size Mars Bars, an orange and a drink (water of course, nothing but water). Who needs London restaurants anyway?
So by now you’ve seen my choice of photos for the blog. There’s no avoiding it, the subject of fancy dress has to be addressed. As each of the band members trickled into the dressing room, the subject of fancy dress was raised. More specifically, the lack of any sign of fancy dress in the queues of people waiting outside. I detected a few hints of “maybe this wasn’t such a good idea after all” syndrome among the band. Too late to back out now they began to don their outfits. As you can see from the above dressing room photo, this was no half hearted dress-up. Rumour has it that Tim liked his Austin Powers outfit so much he actually bought it rather than hire it. Jon’s hand gesture above was created after careful consideration. Deciding he really needed to know how to wave like the Pope, Jon carried out some detailed research on the subject, courtesy of Google (see below). It’s not often you see the Pope surfing the web.
There were a few logistical problems to resolve with Batman’s outfit, namely how to fit Stu’s ear pieces inside his mask. Then there was poor Stew, destined to an evening drenched in sweat inside his Gorilla suit.
It was about this time that Jon ‘JB’ Brown (head of Fierce) arrived in the dressing room, and took me aside for a long and interesting chat about what is going on in d: world. I’m not sure why I’m telling you this since I can’t actually tell you anything he told me, but suffice to say some things are going to happen next year that you don’t expect. Anyway, before long ’show time’ had arrived. I’d meant to pop downstairs to catch part of the support set, but somehow the time had passed before I’d even realised, and now Delirious? were taking the walk down several flights of stairs to congregate in the wings of the stage.
If there’s one venue I know well it’s Shepherds Bush Empire. This was my 10th time seeing Delirious? in the venue and with the help of my trusty AAA I was able to make use of the numerous, and now very familiar, corridors and doors that provide access from backstage to front of house, to stairwells and the balcony - providing a speedy route to any part of the venue. With my camera in hand I proceeded to tour the venue taking shots from every vantage point. I keep telling myself that one day I’ll go to a Delirious? gig and actually sit in a seat for the entire show (it’s never going to happen). The above photo shows the view from Trevor’s monitors desk at the side of stage. The guy works tirelessly through out the gig, with 5 different sound mixes to maintain - one specifically tailored to each band member. It’s fascinating to watch. At any moment one of the guys on stage could signal to Trevor, often little more than a wave of hand to indicate that there’s too much guitar in the mix, or not enough vocals. Trevor takes it all in his stride.
Up in the balcony you get a great view of the stage with the crowd tightly packed in jumping together like a swarm of bobbing insects. SBE has several different balconies, getting progressively higher towards the ceiling, but even from the very top you still feel like you’re in touching distance of the band on stage. There’s just something supremely special and intimate about this venue, one of the many reasons it’s my all time favourite music venue.
Another privilege of having the right pass is that you get to ‘do battle’ in the photographers pit in front of the crowd barriers. Squeezed into the pit with several other camera wielding people and numerous security personnel is an interesting experience. It does give the opportunity for some ‘looking up the bands nostrils’ shots though, and this one of Batman G playing guitar was a particular favourite of mine.
There was a part in the set where Martin and Stu sit alone on some stools in the middle of the stage. I watched this from the wings and was taken slightly by surprise as a large hairy creature came walking towards me. Stew had a 2-song break while Martin did some acoustic numbers so had decided to leave the relative discomfort of his drum set to strip out of the heat inducing Gorilla suit he was wearing. There was something slightly odd about talking to him mid-set. As Martin and Stu’s ‘Silent Night’ ended, Stu also left the stage to stand with Jon and Stew in the wings while Martin performed a solo rendition of ‘There Is An Angel’. Stu was desperately trying to persuade Jon to join him in some pantomime antics on stage to put Martin off, but I think they decided against it in the end.
The show ended and we all returned to the dressing room where I had to make a hurried exit to catch a train home. My camera contained another 250 d: photos to sort through, of which 18 made the cut to this website. Hope everyone has a great Christmas - see you in 2008.
Tags: form, music, Photos, site, Son
Greenbelt
There has been a gaping hole in my experience of live Christian music up till now. Since the early 70s the Greenbelt Festival has established itself as THE event of the year when it comes to live Christian music in the UK. Deciding it was about time I witnessed this festival for myself, I headed towards Cheltenham to see Delirious? perform at the final day of Greenbelt. Whilst on route I received a call from Jon and we arranged to rendez vous at the Air Balloon Pub, about 20 minutes outside of Cheltenham where he and his friend Jamie were stopping for lunch. Once there Jon filled me in on the band’s recent tour to Asia, an eventful trip with numerous stories ranging from bomb-threats to police raids. A little while later (and several trips around Gloucestershire’s roundabouts) the three of us arrived in convoy at Cheltenham Racecourse.
Making our way through the festival site, we located ‘mainstage’ and the glamorous ‘backstage area’. Said place is a fenced off area immediately behind ‘mainstage’ where technical crews and artists ‘hang out’. Yep, this is the place to be. You’ll be needing your red ‘mainstage pass’ (see below) to get past the yellow-jacketed security personnel and into this exclusive, no doubt luxourius, part of the festival. Or so I thought. On arrival it appears that dressing rooms at Greenbelt are not quite what you may expect. In fact they’re just small portacabins with a couple of chairs and a table (see above). So disappointing.
Jon was particularly keen for me to take photographic evidence of the provisions that had been laid out for the band. Yes I think it’s fair to say that this band have some outlandish demands on their rider. A bowl of crisps - EACH, and a whole basket of fruit. Nothing but the best for these superstars. Anyway, enough about the backstage facilities.
Rumour had it that there was a ‘contributors patio’ which was reserved for holders of the ‘purple pass’ with provisions for contributors. I followed Jon and Jamie through the throng of people gathered by mainstage to watch Chas & Dave as we weaved our way towards this alleged nirvana, all the while feeling slightly guilty that I would be passing myself off as a ‘contributor’. It turns out that Jon is a pretty popular guy. We could barely walk a few steps without him passing somebody he knew and stopping for a chat. Eventually we arrived at our destination, which was also slightly less glamorous than it sounded but did have a very pleasant man offering tea and coffee. After most of Littlehampton had said hello to Jon, we departed on a walk to the far side of the site guided by Mr Andy Hutch (lights and video genius) to visit the tented village he was sharing with another group of people who all seemed to know Jon (he really is Mr Popular). Anyway, in the interest of not getting completely bogged down in irrelevant details (and before I start writing about festival toilets), I’ll just skip the next few hours of general browsing of the festival.
The remaining Delirious? band members had by now arrived, and they were due to do ‘press’ backstage, so I wondered off in search of some music. Before long I discovered a tent where Retrofect were playing. For those not in the know, there is a d: connection with this band, Jon’s brother Ben is the drummer and Martin’s nephew Tom plays guitar. I noted Mum & Dad Thatcher proudly watching their youngest, and Jon also had a quick listen. Anyway… some more time passed [skip to the interesting bit] and at last it was 9:30pm and time for Delirious? to go on stage. I stood at the back of the stage watching as the band walked on and rocked straight into new song ‘God Is Smiling’. The view from on stage was stunning. I could see endless faces stretching out into the darkness like a vast sea, all focused on the 5 guys on stage just a few meters away from me.
Armed with a camera and my red pass I walked round to where the pit between stage and crowd was located. The yellow-jackets had other ideas. Apparently it was fine for me to stand within spitting distance of Stew and his drum kit on stage, but going in front of the stage was a no-no even with a red pass. After some careful negotiation they reluctantly agreed to let me in, on the condition that I wore ear plugs “for health and safety reasons”. Their concern for my hearing was touching but it occurred to me that standing in front of a band with yellow and pink blobs of foam stuck in your ears was about as big an insult as you can pay any band. So I graciously accepted the ear plugs I was offered by the yellow-jacket, shoved them in my pocket and entered the pit to start taking photos. A tap on my shoulder and apparently yellow-jacket had noticed I wasn’t wearing my life-protecting ear devices and was non too pleased. Reluctantly I stuck them in my ears and hoped the band wouldn’t notice.
There were more photographers in the pit than I’ve ever seen at a Delirious? concert, but being a Christian festival there was no jostling or pushing. Just polite excuse-me-pleases and envious looks from me that everyone else had professional looking gear with lenses longer than your forearm. One yellow-jacket took one look at my less than impressive camera and whispered in my ear (well it was more of a shout to be heard through my ear plugs) “are you sure you’re meant to be here?”. I scowled and moved to the other side of the pit.
Before I knew it Delirious? were coming back on stage for their final song encore. I made my way round the back of the stage again and up the steps to watch from the side of stage as they received their applause and took their bow. It was an impressive sight. Back in the portacabin dressing room Tim was relieved they’d done ok without a sound check and everyone seemed happy. Now to negotiate the Gloucestershire countryside for the journey home.
Tags: Artists, form, music, Photos, site, Son, Video
Omnisonic Tour - Horsham
So Delirious? are back on tour in the UK with their ‘Omnisonic Tour’ so on Friday night I headed over to Horsham. My first mistake was planning a route to Horsham based on the postcode for the venue as listed on PuraTickets. I followed the directions provided by the route planner and found myself in the middle of a housing estate. Hmm. I saw Delirious? at the same Horsham venue back in 2005 and I had a vague recollection of a warehouse style venue in the middle of an industrial estate. Somehow this groups of houses did not look familiar. Unfortunately it turns out that PuraTickets had listed the wrong postcode. Luckily for me it was only 5pm. But still, I spent the best part of the next hour driving around Horsham with no idea how to find the venue. As I neared desperation I drove past the ‘Smith & Western’ restaurant and had one of those light bulb moments where you think “that looks familiar!”. I was pretty certain I’d driven past that same distinctive eatery on my previous visit to Horsham. And as I passed it, sure enough there was Tim Jupp escorting his family inside for dinner. With a new sense of confidence I drove on and finally stumbled across the venue.
I was met at the door by Tim Green, assistant to tour manager Ian Cattle, who pointed me in the direction of the bands dressing room (aka ‘Catering’). I walked in to discover Jon and StuG deeply engrossed in their Mac laptops, Jon concentrating hard on a game of Facebook Scrabble. It turns out my arrival was perfectly timed, as Tim Green then arrived with an armful of Chinese take-away (yes, it would definitely have paid for someone’s drugs). After a very enjoyable meal I chatted with the guys for a while. For those of you who have commented on the Living Room Blogs, be assured that the band do read the comments. They were busily reading them, with some competitiveness regarding which band member was receiving the most comments (Martin currently in the lead). Oh and if you happened to have been on Delirious.co.uk at that exact time, you may have spotted me on their webcam for a few minutes. Fame at last.
The rest of the band turned up with a few family members and friends and before long it was time for Dave Payne (legendary d: roadie) to say the pre-gig prayer. Then out we marched to the stage. Despite the low ceiling and low stage, the venue looked impressive, tightly packed with an excitable crowd. I stood and watched from Tim’s side of stage for a while, before heading to the pit to take some stage photos. Then I move round to Jon’s side of stage where I spent most of the gig.
Lee, the d: tech, was kept pretty busy throughout. First of all he had to deal with a troublesome drum, removing it completely for a while to carry out some running repairs. I was amused to watch a drum stick flying backwards out of Stew’s hand during one highly energetic piece of drumming. Without missing a beat he immediately reached to his strategically positioned stick bag, pulled out a replacement stick and continued. You wouldn’t even have noticed from the front row. He caught my eye as I watched all this, and shrugged at me, pulled a face, then carried on grinning.
Later Jon’s bass suddenly went silent mid song, and he frantically tried a few adjustments on his rig before Lee came striding across the stage, ripped out the cable, swapped it with a different one, fiddled with a few buttons and solved the problem.
As I stood a few feet off stage level with Jon, I suddenly noticed Jon’s wife Kristen and his Dad, stood next to me. Later on a group of d:’s children, led by Stu’s daughter Eden, strolled onto stage to dance during Paint The Town Red. Definitively a family night, not surprising since Horsham is only a short hop from their Littlehampton homes.
There was some concern among the stewards (for some reason they’re never called ’security’ at a Christian venue!) when Martin climbed over the crowd barrier with his red megaphone and proceeded to trample onto the shoulders of the crowd - well beyond the safety of the stewards out stretched arms. Somehow he made it back safely, but I feel sure that one day he’s going to be swallowed up by a large crowd and not manage to get back on stage in time for the chorus!
The concert ended with a blistering piece of guitar work from Stu G during Investigate. I watched with amazement as he broke practically every single string in his guitar by the time the song finished. Back in the dressing room I was asked which of the new songs I liked the most. ‘My Soul Sings’ I said, which prompted Jon to say “You’re getting old Dave”. Hmm.
The Christmas Show 2006
The Delirious? Christmas Show is always one of the highlights of the year, and this year was no exception. I’d been told before arriving that my pass from the recent UK tour would be valid for the Christmas show, so I arrived at about 4:15pm and knocked on the stage door around the back of the Shepherds Bush Empire. When the security guy opened the door I waved my pass at him, only to hear the words “That pass isn’t valid any more”. Good start. Thankfully he was one of the few helpful security guards that exist, and I was escorted inside to the security desk where he asked my name and checked me against his list. “You’re not on the list”. Things were going well. Half expecting to find myself back outside on the street with a sore backside, I was surprised when instead he picked up his phone and called tour manager Ian. “I’ve got a Dave Wood at stage door” he said, before listening to the response for a few seconds and hanging up. Good news or bad? I wondered. Sigh of relief as he reached for a bright red pass marked ‘AAA’ and handed it to me.
With the potential crisis averted, I became aware of the unmistakable sound of a Delirious? sound check in progress. Heading through the doors, down the steps, and through a few more doors I arrived onto side of stage, behind Trevor’s mixing desk (monitor engineer). In front of me, in the semi-darkness (stage lights not yet in use) I could see Delirious? and a large choir assembled on stage. The choir leader/conductor was stood in front of the choir talking to them. “If you don’t know the words just sing ‘Rhubarb’ or something. Whatever you do, don’t turn around and look at the words on the screen or I’ll shoot you” she said to them sternly. The band and choir rehearsed the moment when the choir will walk on during ‘Majesty’ and join in for the chorus. Next up, Delirious? practice a very rock and roll version of ‘Hark The Herald’, and then the sound check is finished. The band come to greet me and I wonder off upstairs to the dressing room with Jon. On the way we pass Matt Redman arriving through the stage door (unlike me, his name is on ‘the list’).
One thing that always impresses me about Delirious? is that they surround themselves with top professionals, especially when it comes to their crew. Tonight they have Neil on lights, who has just returned from shooting a TV series. Matt their sound man has just rushed back from doing the sound for Jarvis Cocker on this afternoon’s recording of tonight’s Jonathan Ross TV show. Another crew members has spent the day working with Natasha Bedingfield, also shooting a TV show. These aren’t just guys the band found hanging around a street corner, they’re all recognised experts in their field of work who actively choose to fit Delirious? into their busy schedules, packed full of big name mainstream artists. It says something about the level of professionalism that goes into a Delirious? show. Anyway, a little while later it’s time to head to a restaurant for dinner. Once inside, the band are pounced on by an extremely enthusiastic fan who has come all the way from Italy just for tonight’s gig. Despite the slightly unexpected intrusion, they pose for photographs without complaint before we all take up seats for dinner. Sat either side of me are Jon and Stew, across the table are Neil (lights) and Jamie (a journalist friend of Jon, who I’m told has plenty of dirt on him - so I happily take his business card when it’s offered to me!). Over pasta and pizza we chat about various things. It amuses me to hear that Jon has just had his adapted suit (complete with bat wings) back from the dry cleaners (I bet the dry cleaner got a bit of a surprise when they cleaned the outfit).
Back at the venue everyone gathers in the large room behind the stage for a pre-gig prayer meeting. The room is rather over crowded as the 30+ members of the choir, 5 members of Delirious?, Matt Redman and band, plus hangers on (like me!) gather together. Stu G says a few words, thanking everyone for coming to perform tonight and then looks over at Martin and says “So, what do we do now?”. There’s general laughter as people joke that Stu doesn’t know how to pray. Stu responds with a story about the first band he was part of, many years ago, where he was the only non-Christian in the band and quickly had to learn how to talk like a Christian. Matt Redman quips that he must be talking about a band called “Cutting Edge” and more laughter fills the room. When things quieten down, Stu, Martin, Matt and a few others say prayers and then we file out of the room. On the way back to Delirious’ dressing room, we again pass the stage door where Carrie and David Grant are just arriving. I see another familiar face behind them, who I’m fairly sure is athlete Jamie Baulch.
As we head upstairs to the dressing room, I pass Tom (tour manager Ian’s right-hand mand) who stops me and says “Dave, would you like to fire a cannon tonight?”. I ignore the pictures flashing through my mind of large black cannon balls flying off the side of a pirate ship, and focus instead on the confetti cannons that get fired to shower the crowd with millions of tiny pieces of paper, creating a fake indoor snowstorm. I happily agree, and arrange to meet Tom during the encore. In the dressing room the band start to ready themselves for the show. Setlists are looked over, Jon practices with his Bass and Stew hits his drumsticks against a practice pad on his knee. I’m amazed to find that Stew is an almost entirely self-taught drummer, having only had 2 lessons in his entire life “and they were a couple of years ago” he explains. I leave the band in the dressing room and head onto the side of the stage to watch the end of Matt Redman’s support set. He’s doing well and the crowd are very receptive.
Finally it’s time for Delirious? to perform. I crouch down in the security pit between stage and crowd and take as many photos as I can for the first few songs, before heading again to the side of stage to take some photos looking out from behind the band out onto the crowd. Then it’s up into balcony level 1 for some more photos. Later as I stand just off the side of the stage, I notice Matt Redman sitting on the floor, watching Delirious? and singing along to ‘Our God Reigns’. Before I know it, the band leave the stage for the encore break so I dash off to find Tom. He hands me a clear plastic tube, about a metre in length, stuffed full of tiny pieces of paper. He gives me a few instructions and then we head off, along with several other cannon wielders, up the back stairs to balcony levels 2 and 3. He sends each of us off to a different part of the balcony so that we are arranged all around the perimeter, and then we wait for our cue.
Delirious? come back on stage to sing All This Time followed by Stronger, and then their final Christmas number, Hark The Herald Angels Sing. Mid way through the song we all pull the release cord on our confetti cannons and a cheer goes up from the crowd as the confetti fills the venue and floats down on everyone from high up in the roof. I pull out my camera again quickly to take some photos of the scene, before the show comes to an end. With everything finished I catch up with the band again in the dressing room, and then follow Jon down to the after show party where friends, family and colleagues are gathered. It was a stunning night. My only regret was not being able to stay for longer at the after show party, but as it was I didn’t get to bed till 2am after the train journey home - and then got woken at 6am by my daughter, so I think it was just as well I left when I did!
Tags: Artists, form, News, Photos, Son
Catching Up
Ah yes, the Delirious.org.uk blog. I knew there was something I’d been forgetting. It’s been gathering dust since I posted about the Christmas Show back in December. Lately I’ve only been posting on the blog after going to a concert, and since there haven’t been any UK gigs since Christmas… well, you get the picture. But anyway, in the absence of any gig reports of my own I thought I’d write briefly about a couple of other things.
If you’re anywhere in the USA chances are that Delirious? have been somewhere close by in the past month. They’ve just finished the huge 24-date Worship Revolution US Tour with Rebecca St. James and Vicky Beeching. If you couldn’t make it to one of the shows fear not as a steady stream of concert photos from the tour has been pouring in to Delirious.org.uk lately. Feast your eyes on pics from:
Beaver Falls Pennsylvania, Camp Hill Pennsylvania, Portland Oregon, San Diego California, San Bernardino California, Santa Ana California, Oklahoma City Oklahoma, Gainesville Georgia
The other big news at the moment is that the new Delirious? book, cleverly titled I Could Sing Of Your Love Forever, is about to be released. Available shortly in the USA and from 5th May in the UK, this stunning new book sees Martin and StuG telling the stories that inspired them to write 20 of their best known songs. I say ’stunning’ because not only are the stories moving, emotional and intimate, but the visual appearance of the book is absolutely amazing. Each chapter of the book looks at a different song and is decorated with unique and beautiful artwork. My review is on the site now and you can pre-order the book at the FireceShop.
In the unlikely event that inspiration hits me soon I may post on this blog again (suggestions always welcome), but until then, enjoy the book.
Tags: Album, News, Photos, site, Son
Everything must change
Excuse me while I blow the dust off the Delirious.org.uk blog *cough* *cough* After a two month barren spell I thought it was time to write something again. With the DVD due in just over a month, and the UK Tour to follow that, I hope to be posting on the blog a little more often in the near future.
In the meantime, an interesting little story cropped up yesterday. Whilst browsing Cross Rhythms I stumbled across the transcript of a press conference Daniel Bedingfield held at Greenbelt a week or so ago. Mid way through the press conference a question arose about Delirious? After lavishing praise on them, Daniel went on to drop a tasty little hint: “I’m on their album, and they wrote a song on mine.”
Most people are already aware of the fact that pop-megastar Bedingfield sings some backing vocals during Every Little Thing on World Service (although you have to really listen hard to notice it). So that covers the first part of his comment, “I’m on their album”, but the interesting part comes next… “they wrote a song on mine”. That means one of two possibilities. Either Delirious? wrote a song for Daniel’s album, or Daniel has recorded his own cover version of a Delirious? song. His words make it sound as though this is a definite something. An event that has already occurred. My resident DB expert informs me that there are definitely no Delirious?-written tracks on either of his first two albums - and with recent media reports suggesting that Daniel is currently in the studio working on his third album - logic suggests that the new Daniel Bedingfield album (most likely due next year) will include a Delirious?-written song.
Coincidentally, just a few months ago Martin Smith told Cross Rhythms that “Daniel Bedingfield has often wondered about covering” There Is An Angel. Put two and two together and it seems like a pretty clear cut number four. However… my secret sources, whoose names I will not reveal (in true journalistic style), have informed me that whilst it is by no means certain that the track really will appear on Daniel’s album, the likely candidate is not There Is An Angel, but a Bedingfield cover of another Delirious? track. It seems Mr B would like his world to be full of colour. If you know what I mean.
So, we wait and see what happens when DannyB releases his next album. If indeed he does cover a Delirious? song, imagine the compliment it pays to the band (not to mention the royalties! Sorry, let’s not pollute the issue with talk of money). Not to get too carried away with a story that may never happen… but just imagine Daniel Bedingfield releasing a Delirious? song as a single and getting to number one? That would be a very interesting development. After all - being a friend of Delirious? is a sure-fire way to success in the British pop charts. Just look at Bob The Builder. Neil Morrissey shot to number 1 with that song in 2000, not long after befriending Delirious? and appearing at an HMV concert and the Glastonbury festival with them. No wonder Mr Bedingfield wants a piece of the action.
Tags: Album, form, music, News, Photos, Son
Now Is The Time DVD
I’ve been desperate to review Now Is The Time - Live At Willow Creek for ages now, and finally today I’ve posted my review on Delirious.org.uk I really can not express just how much I love it and just how incredible it is. I’ve never been particularly eloquent when it comes to writing, so I quickly run out of superlatives. Over and over I wanted to write words like ‘Stunning’, ‘Incredible’ and ‘Emotional’ when reviewing the DVD. That last word in particular kept coming back to me as I watched it. It hadn’t really dawned on me from the tracklisting alone - but actually this DVD has a very high concentration of emotion filled power songs. Our God Reigns, Take Off My Shoes, Miracle Maker, Every Little Thing, Majesty, What A Friend, Investigate. They all give you the chills as Delirious? work their way through some of the best tracks they’ve ever written.
I was never a huge fan of Our God Reigns on The Mission Bell (I gave it 3/5 stars in my initial review). But the version on this live album is just such a huge improvement that the chorus is now up there with one of my favourites. There are loads of nice touches on the DVD, things like Take Off My Shoes being shot in black and white, and then the colour gradually fading back in towards the end. I also love the occasional shot of Jon, Stew or Tim singing along.
The bonus features on the DVD are excellent too. The 30minute documentary is fascinating, full of interviews with each of the band individually, and lots of previously unseen photos and video clips. Some very scarey hair styles on display from the ‘early days’ too. Then there is a short behind the scenes look at shooting the DVD at Willow Creek, and the ‘monitors wall’ which shows what the DVD’s director saw during the filming of Fires Burn. 8 diffferent camera angles on screen at once (see right), with the voice of the director choosing which shot to take next.
I can’t stress enough just how brilliant this DVD is. Everyone involved, from the band, to the crew and technical staff at Willow Creek, should be congratulated on a superb product.
(You can view more screen shots from the DVD here)
Tags: Album, Photos, Son, Video
UK Tour Rehearsals
Yesterday I had the enormous privilege and pleasure of going to the rehearsals for the Delirious? UK Tour, which starts tonight in Southampton. I arrived at the Guildhall shortly before 4:30pm and met up with the band who were preparing to sound-check. The venue had already been set up by the crew, boxes of equipment lay everywhere, the lights and the video screen were being tested and before long the band were called to the stage to start their rehearsal. After some sound checking, they began running through the songs they’ll be playing on the tour, and trying out a few of the surprises they have in store for the fans this tour.
I don’t want to say too much and risk spoiling the experience for those of you going on the tour, but I will say this. From what I’ve seen, I would say that it’s going to be more like a ‘Show’ than a ‘Concert’. There are some superb visuals and lights, and some fantastic surprises and things you won’t be expecting. It really is going to be one of the most incredible tours Delirious? have ever done.
There is a huge video screen at the back of the stage, nothing too unusual there, but expect some very creative uses of some tiny video cameras. The infamous Mr Andy Hutch was on-hand at the rehearsals yesterday, helping to choreograph the whole visual experience. Some of you will already have seen the backing videos that the band have been using lately for the Mission Bell songs. My particular favourite was the Paint The Town Red visual, with bright red silhouettes of the band against black and white city landscapes, brilliantly put together with the lyrics cleverly built into road signs and advertising boards.
In terms of the music, the band seem to have put together a superb setlist, featuring a few surprise appearances that will keep the crowd happy, and the best that The Mission Bell has to offer. I could spend all day watching Stu G play the big guitar piece at the end of Take Off My Shoes. Simply stunning. The band also have a few new pieces of kit with them, guitars, piano, amps, you name it.
There was a short interlude for some food around 7:30pm (Indian, not Chinese Takeaway) before it was back to work running through some more songs and rehearsing a few bits of the ’show’. By 9:30pm the band were unplugging their earpieces, setting down their instruments and heading home to Littlehampton. The real thing starts tonight. 13 UK Dates, followed by 12 more across Europe (see the full list of tour dates). Catch a show if you can - you will absolutely love every minute of it. (See also, more rehearsal photos)